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01 Sept 2005 >> New Bern Sun Journal
New Voice Rules Lavigne Show >>
It was a hot, sticky night on Aug. 24 at Alltel Pavilion, and the crowd's anticipation was even higher than the humidity. Groups of tween and teenage girls sported white tank tops, loose neckties and red devil horns - the signature uniform of headlining act, punk princess Avril Lavigne.

The rock 'n' roll wild child hit big in summer 2002, with her spiky-fun debut song "Complicated," shifting pop music in a different, more defiant direction. Lavigne, who was 17 at the time, didn't seem concerned with the glamour of the TRL-dominated pop world, and that confidence was the catalyst for her current star power.

Scheduled to precede Lavigne's performance was soulful singer/songwriter Gavin DeGraw, whose more recent fame was spawned by the hit single "I Don't Want To Be" and followed by his newly released CD title track "Chariot."

Lavigne's opening band was a lesser known name - a personal friend and one of her producers, Butch Walker. After a brief taste of major-label success with his former band, Marvelous 3, during the late 1990s, Walker traded his bandmates for a solo career and made his second bid for rock 'n' roll success in the early 2000s. His three-album run with Marvelous 3 peaked in 1998, when the song "Freak of the Week" became a sizable hit.

However, the band didn't last long, recording only two albums for Elektra before Walker grew frustrated with the label. He broke up his band and spent a year producing albums for such bands as Injected and SR-71. This production work increased his reputation within the industry, and he quickly signed a contract with Arista, resulting in his solo debut album, Left of Self Centered (2002), and single, "My Way."

As band roadies prepped the Alltel stage, the restless audience prepared for a typical first act show, designed to kill time before the performance they actually paid to see.

But the mood changed quickly once stage lights flashed on, rib-vibrating bass began to pound and Walker burst on stage with explosive energy that was nonstop throughout the show.

A veritable rock 'n' roll grasshopper, Walker spent most of his time in mid-air, jumping from all levels of the stage - brandishing his guitar in a classic spread eagle, leaping off the drum set, and dropping to his knees to high-five the electrified crowd.

Much like his work with Marvelous 3, Walker's solo work embodies his anti-conformist attitude and playful rock 'n' roll swagger. And this guy can sing! Walker owned the microphone, showcasing clear, balanced vocals in his opening number, "Uncomfortably Numb," a track from his second CD, "Letters," which was released in August 2004.

The 35-minute performance was a mix of super-fun rocker anthems, mid-tempo tunes and what Walker referred to as his mandatory "femo-tastic heartfelt ballad," entitled "The Best Thing You Never Had," which was edgier than expected.

For all his dramatic showmanship, Walker seemed friendly and approachable on stage. Quickly acknowledging that most of the audience was really there to see Lavigne, he created an instant rapport by thanking the crowd for their applause, displaying a witty sense of humor and singling out enthusiastic audience members.

Walker got more laughs when he ripped on pop diva Ashlee Simpson's lip-syncing faux pas during her infamous Saturday Night Live performance.

He noted that every singer has bad voice days, but he assured the crowd that no matter what, he was going to sing his heart out, and his voice would be coming through the speakers live, not in the form of some dubbed track.

American Idol Kelly Clarkson also took a hit when Walker belted out a hard rock version of her recent radio hit, "Since You've Been Gone." Most likely, this crowd contained some diehard Clarkson fans, but they went wild over Walkers' "Butch-ered" version of the tune.

The female audience also appreciated Walker's dark hair and green-eyed Scotch-Irish looks. Halfway through the set, an announcement that he'd sign autographs after the show immediately caused a line of underage ladies to form by the merchant stand.
Liz Senn is the features writer for the Sun Journal.
 

 
 
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