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When Avril Lavigne first
arrived with "Complicated,"
we all knew the Canadian
teen in the tie and tank-top
was different from the
Britneys and Xinas. We just
didn't know how
different. This year, for
instance, she hit the charts
with “ Don’t Tell Me." Most
pop stars tease about their
sexual availability; this
song bluntly told the guys
in her audience that she
wasn't the kind to put out.
There's more. The choirgirl
turned sk8er gal isn't just
a bratty figurehead. In
concert, she plays guitar,
piano and drums, too. Her
cover version of Bob Dylan's
"Knockin' on Heaven's Door"
at first seemed to stretch
credibility. Now it's just
another facet to her quirky
musical persona. She's even
convinced her record label
Arista to butt out of the
recording process and let
her dream up the concepts to
her videos.
So
while her peers flare out in
the tabloids, Avril plans to
stick around, and it's
working. Lavigne is a
parents' favorite and when
she rails against lip
syncing, you could almost
imagine her to be one of her
older musical forebears. VH1
listened as she explained
how she escaped the "punk"
tag and why it's fun to
pretend to be on crack every
once in a while.
VH1: Are you different than
the way the public perceives
you?
Avril Lavigne: I don't
know. No one really knows
what anyone is like. The
press will put labels on
people and try to explain
what they're like. I really
don't think it can always do
a person justice, y'know? No
one will know them ever
really.
VH1: You got a lot of heat
for looking like a punk girl
and not owning the Sex
Pistols record.
AL: A lot of people gave
me a hard time with the
whole punk thing. I never
said I was. Maybe because of
the way I dress, people
said, "Oh, she thinks she is
and she's not." It's like,
"I never said I was,
people." When I first came
out everyone loved me and
they said all these really
nice things about me, so
other people had to come in
there and like kinda rip me
apart. But that happens to
everyone.
[Watch Clip]
VH1: You seemed to deal with
it a lot better than most
people.
AL: That's the way life
is. If you're in school and
there's a popular kid or a
hot chick and all the guys
are talking about her, all
the girls in the class are
going to go, "Oh well, she's
not that hot; this is
wrong with her and this is
wrong with her," and try to
pick her apart. It's sad,
but that's the way people
are.
VH1: You chastised Ashlee
Simpson for lip syncing.
Have you ever worked with a
backing tape?
AL: No way. I've always
sang live my whole entire
life. I've never lip synced
once. I never will. I'm here
because of my voice and
because I like to sing and
because I want to sing. I go
to awards shows and I sit
there and I watch people up
onstage who are very
successful who aren't
singing live. I think, "God,
that's not fair to all the
talented people who are out
there." It disappoints me
really. I think it's a
disgrace.
[Watch Clip]
VH1: I've paid good money to
see lots of shows where it's
on tape.
AL: I work really hard.
I sing an hour and a half
every night. I have to save
my voice. I have to take
care of it. I'm friends with
other people in other bands
who do the same thing. We
change our lifestyle. We
can't sleep with air
conditioning on or heaters
on. We have to sleep with
humidifiers and we have to
try not to talk during the
day and save our voices. I'm
proud of that and I'm sure
they are, too.
VH1: "Don't Tell Me" is a
good message for young
girls.
AL: I was 17 when I
wrote that song, so that was
all fresh on my mind, just
coming out of high school.
There's a lot of pressure on
girls these days. I'm happy
to be able to sing it up
onstage every night and to
introduce it by telling the
audience, "This is a song
about being strong."
VH1: What kind of feedback
have you gotten?
AL: A lot of the moms at
my shows come up and go, [in
a high-pitched voice] "Thank
you for not being Britney
Spears," or "Thank you for
being such a good role model
to my kids. I'm really happy
that they're listening to
you." And I'm just like
[giggles] "Wow. Cool. Okay."
Bonus points!
[Watch Clip]
VH1: Talk about the concept
behind the video for "My
Happy Ending."
AL: I actually worked
with the director really
closely. I said, "I want to
act the part. I want to get
to have me and a guy acting
where we're happy, and we're
walking through the park,
and we're laughing." We were
supposed to kiss, but I
didn't do that. I chose not
to, but I wanted to play
piano and I wanted to be in
tutu. I think that's
probably one of my best
videos.
VH1: When you said you
didn't want to kiss the guy,
they must have been like,
"No, you have to."
AL: Well, the director
was like, "C'mon, it's
acting. You have to kiss
him." And I was like,
[inhales] "No, I can't."
VH1: What did you base
"Nobody's Home" on?
AL: I wrote "Nobody's
Home" about a girl I once
knew, who was kinda not
really going anywhere with
her life. She was hanging
out with the wrong crowd,
getting in a lot of trouble,
and wasn't really focused.
In the video, I play the
part of a runaway. That
wasn't her situation. That
was just something we
decided to do for the video,
make it a little bit more
dramatic.
VH1: Do you have a better
time being glammed up or
playing the street kid?
AL: I had the most fun
playing the bum on the
street. [Laughs] I had my
best friend on the set with
me. She's in some of the
shots with me. We were
pretending we were on crack
the whole day. That was the
most fun video to shoot. I
had those '80s-like acid
wash jeans and I was singing
Cyndi Lauper's "Girls Just
Want to Have Fun" and
dancing like I was back in
the '80s.
[Watch Clip]
VH1: Did it surprise you to
see all these girls wearing
the necktie when you first
came out?
AL: Yeah, it did. It's
not like I was the first one
who ever wore a necktie.
When I came out, a lot of my
fans started coming to the
shows wearing white
wife-beaters and tank tops
and studded bracelets.
VH1: So why did you drop the
tie?
AL: Well, I mean, like I
was going to wear the tie
forever, right? It became so
big that I got over it. Now
fans come to my shows
wearing the bondage pants I
wore on my whole entire mall
tour. So it's kind of funny. |